Jan 30 2012

Dilation Exercise 50

Below you’ll find Alan M. Clark’s weekly Dilation Exercise. Please look at the picture, read the caption, above and below the image, and allow your imagination to go to work on it. If the artwork inspires a story, please say something about it in a comment. Need a further explanation? Go to Imagination Workout—The Dilation Exercises.

Sold as a miracle cure for death itself, the dreaded mummified cat tea was said to work only if taken by a willing subject postmortem on Wednesday the 29th of February.

With Leap Year just around the corner, the product leapt off the shelves as countless people, wanting to thumb their noses at death, trusted the ad campaign and prepared to commit suicide.

Artwork: “Miracle Cure” copyright © 2004 Alan M. Clark.
Interior Illustration for DEAD CAT TRAVELING CIRCUS OF WONDERS AND MIRACLE MEDICINE SHOW, an anthology edited by Gerard Houarner and Gak. Published by Bedlam Press.

Captions are original to this post and have nothing to do with the literary project with which the artwork first appeared.

—Alan M. Clark

Eugene, Oregon


Jan 9 2012

Dilation Exercise 49

Below you’ll find Alan M. Clark’s weekly Dilation Exercise. Please look at the picture, read the caption, above and below the image, and allow your imagination to go to work on it. If the artwork inspires a story, please say something about it in a comment. Need a further explanation? Go to Imagination Workout—The Dilation Exercises.

They shared many hours together in the bed, passionate hours, hours of rest, hope, dreams, nightmares, illness, and finally the moment of death.

Once they were gone, the bedding could not be changed and the room could not be used, as the memory of their love and passion for each other demanded privacy.

Artwork: “Frontispiece for ‘Candyland’” copyright © 1998 Alan M. Clark.
Interior illustration for “Candyland” by Elizabeth Engstrom, which appeared in The Alchemy of Love, by Elizabeth Engstrom and Alan M. Clark, published by TripleTree Publishing.

Captions are original to this post and have nothing to do with the literary project with which the artwork first appeared.

—Alan M. Clark

Eugene, Oregon


Jan 2 2012

Dilation Exercise 48

Below you’ll find Alan M. Clark’s weekly Dilation Exercise. Please look at the picture, read the caption, above and below the image, and allow your imagination to go to work on it. If the artwork inspires a story, please say something about it in a comment. Need a further explanation? Go to Imagination Workout—The Dilation Exercises.

She was trouble, but I couldn’t stay away and I knew that one day temptation would get the better of me.

Noticing how frequently I cruised passed her corner, she knew it too, and she made special efforts to display her charms when I drove by.

Artwork: “With an Afterbirth Death Mint” copyright © 1989 Alan M. Clark.
David Conover wrote the story, “In Living Color (A Denouement),” based on the artwork. The image and story appeared in IMAGINATION FULLY DILATED, THE LITERARY WORKS OF ALAN M. CLARK, edited by Elizabeth Engstrom and Alan M. Clark, published by Cemetery Dance Publications.

Captions are original to this post and have nothing to do with the literary project with which the artwork first appeared.

—Alan M. Clark

Eugene, Oregon


Dec 19 2011

Dilation Exercise 47

Below you’ll find Alan M. Clark’s weekly Dilation Exercise. Please look at the picture, read the caption, above and below the image, and allow your imagination to go to work on it. If the artwork inspires a story, please say something about it in a comment. Need a further explanation? Go to Imagination Workout—The Dilation Exercises.

The commute was a bitch, but it gave Goatman and his pet snail, Tilde, plenty of time to read and rehearse together for their demanding role.

“One day,” he said, glancing up at Tilde, “when I’m famous as the guy who saved the princess by devouring her horrid brats, we’ll move out of the slums of West Fairyland and get a place in town.”

Artwork: “Scholar and Goose” copyright © 2004 Alan M. Clark.
IIllustration for “At the City Of Rectified Errors” by Jay Lake with Alan M. Clark & Paul Groendes. This is one of four pieces of art produced by Alan M. Clark during a multi-media, collaborative endeavor which included writer, Jay Lake, and sculptor, Paul Groendes. The effort was to produce a fully illustrated story in front of customers during five working days at Borderlands Books in San Francisco. Paul Groendes produced a sculpture to help illustrate as well. Later, the painting appeared in the art book, Alan M. Clark, The Paint in My Blood, Fine Art and Illustration, published by IFD Publishing.

Captions are original to this post and have nothing to do with the literary project with which the artwork first appeared.

—Alan M. Clark

Eugene, Oregon


Dec 12 2011

Dilation Exercise 46

Below you’ll find Alan M. Clark’s weekly Dilation Exercise. Please look at the picture, read the caption, above and below the image, and allow your imagination to go to work on it. If the artwork inspires a story, please say something about it in a comment. Need a further explanation? Go to Imagination Workout—The Dilation Exercises.

In the secure privacy of her own thoughts, she was proud of her attention to detail.

Even so, as she checked and rechecked the crime scene within memory to make sure she’d left behind nothing incriminating, the stress of it began to take a toll on the rest of her life.

Artwork: “The Creeps” copyright © 2008 Alan M. Clark.
Unpublished. Captions are original to this post and have nothing to do with the literary project with which the artwork first appeared.

—Alan M. Clark

Eugene, Oregon


Dec 5 2011

Dilation Exercise 45

Below you’ll find the weekly Dilation Exercise. Please look at the picture, read the caption, above and below the image, and allow your imagination to go to work on it. If the artwork inspires a story, please say something about it in a comment. Need a further explanation? Go to Imagination Workout—The Dilation Exercises.

While surrounded by his followers at the convention, if I had merely pointed to him and called him out for the evil, alien creature I knew him to be, no one would have believed me and I would have been ostracized by a group I had come to know and love, but during my painting demonstration that day, I seized upon a plan he would not suspect or recognize until it was too late.

I used my skills to render him, as apparently only I could see him, and offered the painting to him as a gift in a gesture of friendship before many witnesses at the event, knowing that with time my depiction of his bald head, mutton chops, and beady, little eyes would inevitably seep into the consciousness of all who saw it and register a disquieting match with the visage he had been showing us all for so long.

Artwork: “Carlton Stars as THE EGG MAN” copyright © 2011 Alan M. Clark.
Unpublished painting created during a Controlled Accident demonstration at BizarroCon 2011.

—Alan M. Clark

Eugene, Oregon


Dec 3 2011

Professionals Praise OF THIMBLE AND THREAT: THE LIFE OF A RIPPER VICTIM

“I cracked into Alan Clark’s Of Thimble and Threat, expecting to read a chapter or two. Instead, I read the book in a single sitting, drawn in at first by the ingenious form, but kept enraptured by the characters’ humanity and overwhelming sense of verisimilitude. Of Thimble and Threat is no sanitized Victorian Disneyland; it gets right the struggles of the ordinary people of the era, the toxic environs in which they lived (and died), the backbreaking labor conditions, and the laudanum and alcohol-soaked temptations of an age that has been described as the Great Binge. My complements to the author.”

—Ross E. Lockhart, Managing Editor of Nightshade Books

“Author and artist Alan Clark is a master of creating beautiful and frightening things. His writing and his art alike are skillful, moving and nasty in turns. In Of Thimble and Threat, he explores the life of a Ripper victim, a life cut short by violence and marred by poverty. If you know somebody that reads historical fiction, give them the good stuff.”

—Garrett Cook, author of the Murderland series and Jimmy Plush, Teddy Bear Detective

“Of Thimble and Threat” carried me into the emotional life of a Victorian woman at risk, let me live her dreams and losses, and even surprised me when Catherine met her inevitable death at the hands of The Ripper. Brilliant!

—Eric M. Witchey, award-winning writer and author of Beyond the Serpent’s Heart

Of Thimble and Threat is a terrifically absorbing read. A mature novel and superbly researched. The image of silver in the blood was woven expertly and made the ending luminous and poignant.”

—Simon Clark, author of Vampyrrhic

“Books and movies rarely make me cry, but by the end of Alan M. Clark’s Of Thimble and Threat, I was bawling. In terms of scope and power, this novel feels more akin to Dostoevsky and other heavyweights of Russian literature than any contemporary novel I’ve encountered. Clark draws you into the life and plight of Catherine Eddowes, the third Jack the Ripper victim. However, this is not a novel about Jack the Ripper. This is a novel about one woman and her life in bleak-ass Victorian London. Following Catherine Eddowes from childhood to death, you will fall in love with her even as she plummets down a dark path that inevitably results in self-destruction and unbearable pain for her loved ones. This book swells with so much emotion and is so brilliantly constructed that all I can really say is this: Read it, folks. Read it for good writing. Read it for entertainment. Read it to be a better person. Read it for any reason at all. Whatever your motives, do not miss this book. It’s important.”

—Cameron Pierce, Managing Editor of Lazy Fascist Press

Of Thimble and Threat is the unexpected tale of an ordinary woman, told by an extraordinary writer.”

—Elizabeth Engstrom, author of Lizzie Borden and York’s Moon

Of Thimble and Threat is an wonderful little novel that conjures up the real Victorian London. No gleaming steampunk set-pieces are found within its pages, no storylines glorifying well-dressed gentlefolk with their brushed suits, parlor drama, and manicured carriages. Instead, Of Thimble and Threat unflinchingly depicts what life was like for the poor and forgettable in filthy post-Industrial Revolution London, a heartbreaking backdrop indeed for the story of Catherine Eddowes, the fourth victim of Jack the Ripper.

“Clark recreates Eddowes’ life in stunning detail, and the detail is not always pretty. The real Eddowes was not, of course, the plucky heroine of a novel, and to his credit, Clark does not try to make her into one. Instead he gives us a real person, a woman with flaws, whose wants that aren’t always wise or sensible; whose actions are not always admirable. Because Clark gives us such an honest portrait of her, her life, and inevitable death, are that much more tragic: When she dies, it is no stage death. Catherine Eddowes was real, and Clark masterfully brings her back–only to snatch her away again.”

—Molly Tanzer, Managing Editor of Lightspeed and Fantasy Magazine.


Nov 28 2011

Dilation Exercise 44

Below you’ll find the weekly Dilation Exercise. I know you guys will get tired of this ploy eventually, but to continue my efforts to promote my new novel, Of Thimble and Threat: The Life of a Ripper Victim, I’ve created yet another Jack the Ripper-related DE.

Please look at the picture, read the caption, above and below the image, and allow your imagination to go to work on it. If the artwork inspires a story, please say something about it in a comment. Need a further explanation? Go to Imagination Workout—The Dilation Exercises.

Of all his grownup toys, she was the best, the one that stood out in living color, and he knew that wouldn’t last as he always destroyed the best things in his life.

But this time, after reading a delightful book on Jack the Ripper, he was inspired to derive satisfaction from her destruction.

Artwork: “The Bold Stroke” copyright © 1999 Alan M. Clark.
Cover Illustration for The Bold Stroke, by Barry Shannon, published by TriplTree Publishing. Captions seen here are original to this post and have nothing to do with the literary project with which the artwork first appeared.

—Alan M. Clark

Eugene, Oregon


Nov 14 2011

Dilation Exercise 43

In an effort to further promote my new novel, Of Thimble and Threat: The Life of a Ripper Victim, released by Lazy Fascist Press, my Dilation Exercise for today is based on a Jack the Ripper illustration I did many years ago.

I’ve brought in a guest trainer, Randy Fox, for this week’s Dilation Exercise. His captions, seen with the image below, first appeared with the painting in a slide show of my artwork that he and another friend, Peteso, helped me work up to show at SF and Fantasy conventions back in the 1990s. The slide show was called “Dexter’s Funny World.” It breaks my Dilation Exercise rule of limiting the text to two lines, but rules are made to be broken. Randy expanded his caption into a short story, titled “Dexter’s Great Adventure,” that appeared in More Phobias, edited by Wendy Webb, Richard Gilliam, Edward E. Kramer and Martin Greenberg — Pocket Books Horror 1995.

Please look at the picture, read the caption, above and below the image, and allow your imagination to go to work on it. If the artwork inspires a story, please say something about it in a comment. Need a further explanation? Go to Imagination Workout—The Dilation Exercises.

His hobby of people-watching was made all the more difficult by his fear of looking directly at them. After much though, he had solved the problem by always carrying some kind of reflective surface with him.

In the case of the butcher knife, that new dish detergent had really made a difference. During his late night constitutional he could watch everyone around him, and no one would suspect a thing. People were sure acting funny tonight, though. But that was the whole reason he liked to watch them. People were just doggone strange.

Artwork: “Shadow Games” copyright © 1993 Alan M. Clark.
Cover illustration for Shadow Games, by Ed Gorman, published by Cemetery Dance Publication. Captions seen here are original to this post and have nothing to do with the literary project with which the artwork first appeared.

—Alan M. Clark

Eugene, Oregon


Nov 7 2011

Dilation Exercise 42

In an effort to further promote my new novel, Of Thimble and Threat: The Life of a Ripper Victim, released by Lazy Fascist Press, my Dilation Exercise for today is based on a Jack the Ripper illustration I did many years ago. Please look at the picture, read the caption, above and below the image, and allow your imagination to go to work on it. If the artwork inspires a story, please say something about it in a comment. Need a further explanation? Go to Imagination Workout—The Dilation Exercises.

That he couldn’t save her with the tools he possessed was maddening, but then what he believed to be redemption would never be a part of her world.

What he’d never understand was that, considering the world as she knew it, he had indeed saved her.

Artwork: “A Host of Shadows End-Marker” copyright © 2001 Alan M. Clark.
Interior Illustration for Escaping Purgatory: Fables in Words and Pictures, by Gary A. Braunbeck and Alan M. Clark, published by IFD Publishing. An illustration to the short story, “A Host of Shadows,” about what became of Jack the Ripper, coauthored by Alan M. Clark and Gary A. Braunbeck. Captions seen here are original to this post and have nothing to do with the literary project with which the artwork first appeared.

—Alan M. Clark

Eugene, Oregon